philopapers

Can Art Fight Fascism?

Justin Kaushall considers Adorno’s argument that radical art radically changes consciousness. At a time when populist movements are on the march throughout the world, why should we pay attention to art? Isn’t it self-indulgent to concern oneself with art, music, or literature when the foundations of society and of the international order are being shaken?

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The Ontology of Photography: From Analogue To Digital

Peter Benson on why digital photos aren’t reliable records of anything. André Bazin (1918-58) was the greatest film critic of his generation. As Editor of the magazine Cahiers du Cinéma he encouraged young writers such as François Truffaut, Jean-Luc Godard and Eric Rohmer, who would later become film-makers themselves, creating the French New Wave of

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Crabs

Peter Royle shows no vexation over Sartre’s crustacean fixation. Crabs? What have crabs to do with philosophy? It is well known that at a certain stage in his life Jean-Paul Sartre felt himself to be persecuted by lobsters, crayfish and other crustaceans, including crabs; and that crustaceans, especially crabs, figure prominently in his literature. But

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The Need for Authenticity

Innes Crellin attacks the “Anglo-Saxon” approach to moral philosophy. Those who seek some meaning in the concept of ‘morality’ find it confused and distorted. What it means seems to vary from one authority to another. In the media and in popular usage, the word has assumed a rhetorical flavour that has disguised any real meaning

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Ethics versus Morality

Anja Steinbauer says Don’t Trust the Ethicists (too much). Ethical issues are a messy business. Trying to get a firm grip on them is like holding a handful of sand and see it trickle through your fingers. Many philosophers love ethics. Equipped with their professional buckets and spades – virtues, maxims, systems and values –

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